4/21/2024 0 Comments Star wars scenery no color![]() Three-color palette of each second: Alvin Chang / Vox The second is near the end, when Luke cremates his father's body in hot orange and red flame. But like the previous film, Jedi gives us two ribbons of warmth - the first, about a third of the way in, when Luke is on Dagobah and finds Yoda dying. Long scenes on Tatooine, the forest star Endor, and the new Death Star give us nice thick strips of colors. Return of the Jedi has a similar palette to that of A New Hope, but the scenes are more pronounced. ![]() This installment is also when we start to see a familiar pattern: longer scenes with consistent color palettes at the beginning of the movie, and shorter scenes with juxtaposing palettes toward the end - partially because of a quicker pace, but also because the fight scenes tend to bring different hues into the movie. These warm colors contrast with the scenes before and after, which both take place on dark, cold aircraft. That's when Luke meets Yoda after landing on the planet Dagobah. One of the coolest palettes in this film is that strip of deep gold nearly halfway in. But soon thereafter, darker colors take over, whether it's due to fog or to being in space. It begins with one of the lightest settings of the entire saga, as the Rebel Alliance sets up base on Hoth, a snowy, icy planet. The change in color palette from A New Hope to The Empire Strikes Back is, well, striking. On the right, however, characters spend more of their time indoors, in space fights or inside the Death Star, and these scenes tend to have more purple, blue, and white hues. There is some variation as the skies shift from day to night, but it stays largely the same. In A New Hope, we see the earthy color palette of Tatooine, home of Luke Skywalker, and Alderaan, home of Princess Leia. ![]() There are a lot of ways to do this, but I used a "k-means" algorithm. In short, it's a lot like sorting crayons into buckets. The program also calculated the top three colors for each second, which you can see below. These differences show up most starkly when you build out a color palette for each movie - something I've done below.īefore I go on, let me quickly describe how I made these images: I wrote a computer program that viewed the films second by second and calculated the six quintessential colors of the film. And in more films than expected, a bold red plays an important role in punctuating a symbolic moment. A scene with Yoda always contains cozy, warm tones that stand out from the cold, distant settings that precede it. Planets are earthy browns and oranges and navy greens, which contrast with the bright space-age colors of spacecraft and lightsabers and Stormtroopers. Every Star Wars movie begins and ends with the same color palette - yellow and black for the scrolling introduction, and blue and black for the credits.īut everything in between is very different. ![]()
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